Underfall Mikala Dwyer

Mikala Dwyer, Underfall
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Mildura Arts Centre, Australia, 2014
Photography Sam Nightingale ©

43_Pale News_Photo Sam Nightingale

Milo van der Maaden and Imran Perretta, Pale News (2016)
Performance, Chisenhale Gallery, London, 2016
Photography Sam Nightingale ©

34_Yuri Pattison Talk_Photo Sam Nightingale

Yuri Pattison, user, space (2016).
Installation view, Chisenhale Gallery, London, 2016
Photography Sam Nightingale ©

Bird La Bird Holding Court A Period Drama

Bird La Bird, Holding Court: A Period Drama
Documentation of durational performance
National Portrait Gallery, London, 2009
Photography Sam Nightingale ©

Twin Cinema Lily Hibberd

Lily Hibberd, Twin Cinema & 4 Devils and a Woman in Red
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Geelong Gallery, Australia, 2014
Photography Sam Nightingale ©

Tom Nicholson & Andrew Byrne, Lines Towards Another Century

Tom Nicholson & Andrew Byrne, Lines Towards Another Century
Documentation of exhibition
The Holburne Museum, Bath, 2008
Photography Sam Nightingale ©

Twin Cinema Lily Hibberd

Lily Hibberd, Twin Cinema & 4 Devils and a Woman in Red
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Geelong Gallery, Australia, 2014
Photography Sam Nightingale ©

Pale-News_Photo-Sam-Nightingale-web

Milo van der Maaden and Imran Perretta, Pale News (2016)
Performance, Chisenhale Gallery, London, 2016
Photography Sam Nightingale ©

Pil & Galia Kollective; Terminal, Rio Dalston

Pil & Galia Kollectiv, Terminal
Documentation of film and live performance
Rio Cinema, London, 2013
Photography Sam Nightingale ©

Pil & Galia Kollective; WE

Pil & Galia Kollectiv, WE
Documentation of performance
ICA, London, 2011
Photography Sam Nightingale ©

Uriel Orlow, Unmade Film The Reconnaissnce 2012

Uriel Orlow, Unmade Film: The Reconnaissance
Documentation of performance
Arnolfini, Bristol, 2012
Photography Sam Nightingale ©

Gail Pickering Brutalist Premolition

Gail Pickering, Brutalist Premolition
Documentation of film and performance
Arnolfini, Bristol, 2008
Photography Sam Nightingale ©

Melanie Gilligan The Miners Object

Melanie Gilligan, The Miner's Object
Documentation of performance
The Holburne Museum, Bath, 2007
Photography Sam Nightingale ©

ANNABEL FREARSON Frankenstein 2

Annabel Frearson, Frankenstein 2
Documentation of performance
Arnolfini, Bristol, 2010
Photography Sam Nightingale ©

Gail Pickering Brutalist Premolition

Gail Pickering, Brutalist Premolition
Documentation of film and performance
Arnolfini, Bristol, 2008
Photography Sam Nightingale ©

Rediscovered Urban Rituals, Horn Fair

Rediscovered Urban Rituals, Horn Fair
Documentation of multi-site performance event
RUR, London
May 2009

Photography Sam Nightingale ©

Clare Gasson the Traveller Walking Walking Walking Through

Clare Gasson, The Traveller Walking Walking Walking Through
Documentation of walk
Bristol, 2010
Photography Sam Nightingale ©

Brook Andrew De Anima

Brook Andrew De Anima
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Bendigo Art Gallery, Australia, 2014
Photography Sam Nightingale ©

Tom Nicholson & Andrew Byrne, Lines Towards Another Century

Tom Nicholson & Andrew Byrne, Lines Towards Another Century
Documentation of live performance & exhibition
The Holburne Museum, Bath, 2008
Photography Sam Nightingale ©

Heather Phillipson, Catastrophicephaleconomy

Heather Phillipson, Catastrophicephaleconomy
Installation view
Flat Time House, London, 2012
Photography Sam Nightingale ©

Yuri-Pattison-Talk_Photo-Sam-Nightingale-web

Yuri Pattison in conversation with Bart van der Heide
Documentation of talk
Chisenhale Gallery, London, 2016
Photography Sam Nightingale ©

Sonic Solar Objects Bianca Hester

Bianca Hester, Sonic objects, solar objects: variously
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Warrnambool Art Gallery, Australia, 2014
Photography Sam Nightingale ©

De Anima Brook Andrew

Brook Andrew De Anima
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Bendigo Art Gallery, Australia, 2014
Photography Sam Nightingale ©

Tony Conrad, The Flicker

Tony Conrad, The Flicker
Installation shot from The Film Exercise, curated by Bridget Crone
Arnolfini, Bristol, 2010
Photography Sam Nightingale ©

Bianca Hester, Sonic objects, solar objects: variously

Bianca Hester, Sonic objects, solar objects: variously
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Warrnambool Art Gallery, Australia, 2014
Photography Sam Nightingale ©

Gail Pickering Brutalist Premolition

Gail Pickering, Brutalist Premolition
Documentation of film and performance
Arnolfini, Bristol, 2008
Photography Sam Nightingale ©

Indefinite Substitution Tom Nicholson

Tom Nicholson, Indefinite Substitution
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Geelong Gallery, Australia, 2014
Photography Sam Nightingale ©

Greetings Comrades the image has now changed its status

Greetings Comrades The Image Has Now Changed It's Status
Installation shot of exhibition curated by Bridget Crone
Occular Lab, Melbourne, Australia, 2009
Photography Sam Nightingale ©

Jenny Pike Cobbing Eye Music for Dancing

Jenny Pike Cobbing, as part of Eye Music for Dancing
Documentation of performance
Flat Time House, London, 2012
Photography Sam Nightingale ©

Heather Phillipson and Bob Cobbing, Flattime House, Eye Music fo

Eye Music for Dancing
Installation view, including work by Heather Phillipson and Bob Cobbing
Flat Time House, London, 2012
Photography Sam Nightingale ©

Indefinite Substitution Tom Nicholson

Tom Nicholson, Indefinite Substitution
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Geelong Gallery, Australia, 2014
Photography Sam Nightingale ©

Heather Phillipson, Zero-Point Garbage Matte, Installation view

Heather Phillipson, Zero-Point Garbage Matte
Installation view
Flat Time House, London, 2012
Photography Sam Nightingale ©

Pil & Galia Kollectiv, Better Future Quad-Shaped

Pil & Galia Kollectiv, Better Future Quad-Shaped
Documentation of performance
The Cube, Bristol, 2007
Photography Sam Nightingale ©

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Art Licks Weekend 2016.
Photography Sam Nightingale ©

Rediscovered Urban Rituals, Jack in the Green

Rediscovered Urban Rituals, Jack in the Green
Documentation of multi-site performance event
RUR, London, 2006
Photography Sam Nightingale ©

Underfall Mikala Dwyer

Mikala Dwyer, Underfall
The Cinemas Project, NETS Victoria, curated by Bridget Crone
Mildura Arts Centre, Australia, 2014
Photography Sam Nightingale ©

Tom Nicholson & Andrew Byrne Lines Towards Another Century Venice

Tom Nicholson & Andrew Byrne, Lines Towards Another Century
Documentation of performance
Media Art Bath, presented during the Venice Biennale, Italy, 2009
Photography Sam Nightingale ©

Sam Nightingale is a professional photographer who produces photographic documentation for artists, performers, galleries and various commissioning agencies. With many years of experience in art and event documentation, Samʼs skillful photographic control and considered eye actively seek out the image that will communicate a sense of the event, translating it into a visual document ready for publication and dissemination.

Commissions undertaken have involved him working with a range of international artists in various sites and situations. His work is typified by a fleet-of-foot responsiveness, thorough research and understanding of the work to be documented and sensitivity to the artistʼs intentions and the site itself.

Commissions include documentation of live performance, exhibitions and visual art events –
Uriel Orlow, Pil and Galia Kollectiv, Gail Pickering, Heather Phillipson, Yuri Pattison, Melanie Gilligan, Clare Gasson, Juneau Projects.

Chisenhale Gallery, South London Gallery, ICA, Art Licks Weekend, The National Portrait Gallery, Flat Time House, Art Licks, Arnolfini, SPACE, The Holburne Museum Bath; L’Arsenale Venice, Bendigo Art Gallery, Latrobe Regional Gallery, Mildura Arts Centre Australia.

© Sam Nightingale 2017